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(0)Kurt Vonnegut
Adapted for a magnificent George Roy Hill film three years later (perhaps the only film adaptation of a masterpiece which exceeds its source), Slaughterhouse-Five (1969) is the now famous parable of Billy Pilgrim, a World War II veteran and POW, who has in the later stage of his life become "unstuck in time" and who experiences at will (or unwillingly) all known events of his chronology out of order and sometimes simultaneously.
Traumatized
...Selected by the Modern Library as one of the 100 best novels of all time
Slaughterhouse-Five,...
The Sirens of Titan (1959), Vonnegut's second novel, was on the Hugo final ballot along with Robert Heinlein's Starship Troopers and lost in what Harlan Ellison called a monumental injustice. Malachi Constant is a feckless but ultimately good-hearted millionaire who, in this incondensable interplanetary Candide (lacking perhaps Voltaire's utter bitterness), searches the solar system for the ultimate meaning of existence.
Constant
...4) Cat's cradle
6) Timequake
Timequake (1997) exists in two conjoined versions ("Timequake One"/"Timequake Two") and in meta-fictional mode is a novel about a novel, composed in short, arbitrary chapters and using its large cast of characters and disoriented chronology to mimic the "timequake" which is its subject. Some cosmic upheaval has hurled the entire population a decade back where, in full consciousness (but helplessly entrapped) everyone's pitiable and embarrassing
...7) Mother night
8) Deadeye Dick
Rudy Waltz (aka "Deadeye Dick") is the lead in this latter day Vonnegut novel. Waltz, our protagonist, moves through the book trying to make sense of a life that is rife with disaster; there is a double murder, a fatal dose of radioactivity, a decapitation, the total annihilation of a city by nuclear holocaust and, believe it or not, more. Waltz, a diarist, becomes symbolic of a person living a fraught post-technological life in which frailty is
...9) Player piano
Player Piano (1952), Vonnegut's first novel, embeds and foreshadows themes which are to be parsed and dramatized by academians for centuries to come. His future society—a marginal extrapolation, Vonnegut wrote, of the situation he observed as an employee of General Electric in which machines were replacing people increasingly and without any regard for their fate—is mechanistic and cruel, indifferent to human consequence, almost
...10) Hocus pocus
Eugene Debs Hartke (named after the famous early 20th century Socialist working class leader) describes an odyssey from college professor to prison inmate to prison warden back again to prisoner in another of Vonnegut's bitter satirical explorations of how and where (and why) the American dream begins to die. Employing his characteristic narrative device—a retrospective diary in which the protagonist retraces his life at its end, a desperate
...13) Galapagos
Vonnegut was in his early sixties and his career, still successful, drawing toward a kind of bitter summation when Galapagos (1985) was published. His early work with its unequivocal statement of absurdity and hopelessness was now almost four decades behind when he completed this meditation on Darwinism, fate and the essential irrelevance of the human condition.
Humanity has in the millions of years after inevitable holocaust and exile
...The waters of renewal sometimes course through the unlikeliest of settings. In the short story, “FUBAR,” we’re taken to a desolate building in a drab industrial complex, where a lonely office worker gains a fresh perspective on life thanks to the intervention of his free-spirited new female assistant.
“FUBAR” and the thirteen other never-before-published pieces that comprise Look...
This short-story collection Welcome to the Monkey House (1968) incorporates almost completely Vonnegut's 1961 "Canary in a Cathouse," which appeared within a few months of Slaughterhouse-Five and capitalized upon that breakthrough novel and the enormous attention it suddenly brought.
Drawn from both specialized science fiction magazines and the big-circulation general magazines (Saturday Evening Post, Colliers, etc.)
...16) Jailbird
Walter Starbuck, a career humanist and eventual low-level aide in the Nixon White House, is implicated in Watergate and jailed, after which he (like Howard Campbell in Mother Night) works on his memoirs. Starbuck is innocent (his office was used as a base for the Watergate shenanigans of which he had no knowledge) and yet he is not innocent (he has collaborated with power unquestioningly served societal order all his life). In that sense,
...Second only to Slaughterhouse-Five of Vonnegut's canon in its prominence and influence, God Bless You, Mr. Rosewater (1965) presents Eliot Rosewater, an itinerant, semi-crazed millionaire wandering the country in search of heritage and philanthropic outcome, introducing the science fiction writer Kilgore Trout to the world and Vonnegut to the collegiate audience which would soon make him a cult writer.
Trout, modeled according to
...Breakfast of Champions (1973) provides frantic, scattershot satire and a collage of Vonnegut's obsessions. His recurring cast of characters and American landscape was perhaps the most controversial of his canon; it was felt by many at the time to be a disappointing successor to Slaughterhouse-Five, which had made Vonnegut's literary reputation.
The core of the novel is Kilgore Trout, a familiar character very deliberately modeled
...19) Slapstick
Perhaps the most autobiographical (and deliberately least disciplined) of Vonnegut's novels, Slapstick (1976) is in the form of a broken family odyssey and is surely a demonstration of its eponymous title. The story centers on brother and sister twins, children of Wilbur Swain, who are in sympathetic and (possibly) telepathic communication and who represent Vonnegut's relationship with his own sister who died young of cancer almost two decades
...Called "our finest black-humorist" by The Atlantic Monthly, Kurt Vonnegut was one of the most influential writers of the 20th century. Now his first and last works come together for the first time in print, in a collection aptly titled after his famous phrase, We Are What We Pretend To Be.
Written to be sold under the pseudonym of "Mark Harvey," Basic Training was never published in Vonnegut's lifetime. It appears to have